Bengali theatre has developed a profound nostalgia for its rural forefathers – at once desirable to acquaint the new generation with its history, and disagreeable for the uncritical romanticism with […]
MAYA MRIDANGA | SAODAGARER NAUKA Read More »
Only three of nearly thirty productions in Nandikar’s National Theatre Festival came from outside Bengal, excluding Shekhar Sen’s Kabir (which has already toured here), and caused by regrettably depleted funding.
PEBET | ACROSS THE SEA | THE LION KING | TUMHARA VINCENT Read More »
The departure of Swatilekha Sengupta comes as a major loss to Bengali theatre. This is not the stale cliché found in garden-variety wreaths, which focused exclusively on her acting, primarily
SWATILEKHA SENGUPTA (1950-2021) Read More »
