GHAR | MANU MANAS | BIRSA MUNDA | PATI GAYE RI KATHIAWAR
It is quite creditable for a young group like Santoshpur Anuchintan to organize a three-day national Hindi theatre festival, named Hriday Manch, even though they had help from the co-hosts,
It is quite creditable for a young group like Santoshpur Anuchintan to organize a three-day national Hindi theatre festival, named Hriday Manch, even though they had help from the co-hosts,
The pandemic led to much artistic soul-searching, especially in forms like theatre dependent on collective social interaction. Forced to isolate, some dramatists and directors addressed the unprecedented situation in new
The minuscule Tripti Mitra Natyagriha has become a go-to site for small-scale and experimental Bengali theatre that flowers in close quarters rather than on the proscenium stage. Two productions there
Bengali groups from outside Kolkata find it very difficult to book halls in the city. Yet, as my reviews make it a point to prove, much good work originates there,
Continuing to combat religious oppression of the underprivileged, Bengali theatre fights relentlessly against exploitation in all its forms. In narrowing the focus to violence against women in rural areas, two
One positive outcome of Banga Natya Samhati’s festival celebrating 150 years of Bengali professional theatre is the rediscovery of obscure texts that nobody has staged in a long, long time.
Ekjute celebrated their 40th birthday in 2021 by handing over the baton to the next generation. Juhi Babbar Soni wrote, directed and enacted the bilingual With Love, Āp ki Saiyāra,
Mukhomukhi’s festival thoughtfully marking 75 years of group theatre unprecedentedly premiered eight new Bengali productions over one week and had an explosive start with Prachyo’s Manikarnikāy Manikā, adapted from Jean-Paul
In Dwitiya Satta’s new play, Nā Tor Janya, written and directed by Suman Sengupta, Macbeth meets The Matrix on the subject of the artist coopted and corrupted by forces around
This year the Atelier Campus Theatre Festival–13 leg in Kolkata almost never happened due to disinformation about safety concerns in this city, of all places in India! At the last
Kolkata saw two solo shows in English on the work of famous authors, both underscoring the need for variety in performance to engage spectators of this genre. Kathleen Mulligan, an
Little Thespian’s national theatre festival, renamed Jashn-e-Azhar to memorialize Azhar Alam, featured in Hindi three renowned north Indian writers on its first three days. Vivechana Rangmandal (Jabalpur) presented Dujo Kabir