Chetana’s Marich Sambad, at Academy
Revival of Chetana’s classic production, written and directed by Arun Mukherjee.
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Offbeat Theatre’s Rakta-karabi, at Academy
Tagore’s classic revived, directed and acted by Chaiti Ray Ghoshal. Recommended: ★★★★. Read my review.
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Ichheymoto’s Kittankhola, at Academy
Selim Al Deen’s play about a village fair in Bangladesh where a troupe goes to perform, directed by Saurav Palodhi.
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Ichheymoto’s Je Janlagulor Akash Chhilo, at Academy
Four childhood friends from the 1990s grow up and go different ways, passing through youthful romances, heated arguments and political movements, testifying to changing times through the decades. Dramatized from
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Theatre Workshop’s Gadaibabu Aschhen, at Academy
dapted from Beckett’s classic Waiting for Godot and directed by Ashok Mukhopadhyay.
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Kalyani Mukhosh’s 2034, at Academy
Inspired by Badal Sircar’s Mani-Kanchan and directed by Ayan Banerjee. The play anticipates the future through the act of a famous magician couple. Recommended: ★★★★ Read my review here.
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Kalyani Kalamandalam’s Radha-Ramakrishna, at Madhusudan
An original play written by Rakesh Ghosh and directed by Santanu Das, on Girish Ghosh’s historic production of Chaitanya Lila in which Nati Binodini stunned audiences with her male impersonation,
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Nandikar’s Panchajanya, at Kala Mandir
A play written by Parthapratim Deb dramatizing the story of Krishna, directed by Sohini Sengupta.
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Bengal Repertory’s Uttarottar Ramcharit, at Academy
Bengal Repertory’s new production, a journey of re-search through the Ramayana and Indian philosophies, written by Suman Saha and Anupam Dasgupta. Suman Saha directs, following classical guidelines and traditional practices harmonizing
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Sudrak’s Shikh ^kha Jatir Merudanda, at Academy
A so-called “uneducated” satire on education written and directed by Debasis Majumdar. Read my review.
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Ambali Praharaj (Delhi)’s Prathama Pandava Badhu, at Gyan Manch
Premiere of a Bangla play about Hidimbi, Bhima’s first wife and eldest bride of the Pandava clan. A tale of love, motherhood, sacrifice and loneliness, it explores her struggle against
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Ichheymoto’s Je Janlagulor Akash Chhilo, at Kala Mandir
Four childhood friends from the 1990s grow up and go different ways, passing through youthful romances, heated arguments and political movements, testifying to changing times through the decades. Dramatized from
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