Dramatized from Manik Bandyopadhyay and directed by Arun Mukherjee. The story revisits the historic Tebhaga Movement of 1946-47 in Bengal, where Haran, an old sharecropper, has gone half-mad after police killed his son.

A blind and wheelchair-bound youth, highly intelligent, wants to know about light from his physicist father. Written and directed by Suman Sengupta. Recommended: ★★★★

Sudrak’s new, so-called “uneducated” satire on education directed by Debasis Majumdar.

Dramatist-director Debasish’s new play about an old building facing demolition, whose residents face eviction, and whose inhabitants include non-humans too. Recommended: ★★★★

Dramatist-director Debasish’s biodrama about Panchanan Karmakar, the first creator of Bengali moveable typeface in the 18th century, based on Rajat Chakraborti’s novel Panchananer Haraph. Recommended: ★★★★ Read my review.

Final performance of Chetana’s classic production Jagannath, adapted from Lu Xun’s The True Story of Ah Q and directed by Arun Mukhopadhyay.

Written and directed by Suman Sengupta, a portrayal of the dilemma of an accomplished commercial artist who sells out to the ruthless and competitive contemporary ratrace.

An ebullient Bengali pastiche of Hamlet. 4th Bell had debuted in 2011 with this play, deliberately and delectably perverting Shakespeare’s tragedy into a festive comedy written and directed by Aniruddha Dasgupta. Recommended: ★★★★

An unusual play where Marx appears today and tries to explain his theories to a Bengali labourer. Written by Dhrubajyoti Chakrabarti and directed by Kushal Chattopadhyay.

Based on Utpal Dutt’s early play about lorry drivers, directed by Saurav Palodhi. Highly recommended ★★★★★. Winner of META awards. Read my review.