Ujjwal Chattopadhyay’s play about the triangle between Tappa pioneer Nidhu-babu, his royal patron-friend Mahananda Ray, and the latter’s mistress Srimati who became Nidhu-babu’s devoted disciple. Directed by Soumitra Mitra.

Revival of dramatist-director Loknath Bandyopadhyay’s farce, adapted from Peter Shaffer’s hit Black Comedy (1965). One of the funniest productions you can presently view; we cannot reveal more! Recommended: ★★★★

The Dario Fo--Franca Rame political satire Can’t Pay, Won’t Pay (1974) adapted into Bengali by Bismoy Roy and directed by Bimal Chakraborty.

The last play written by Little Thespian’s S. M. Azhar Alam,  directed by Uma Jhunjhunwala. About the various challenges faced by Indian Muslims during the conflict in East Pakistan in 1971, through the struggles of one such family.

Debasish Ray’s biodrama about Panchanan Karmakar, the first creator of Bengali moveable typeface in the 18th century, based on Rajat Chakraborti’s novel Panchananer Haraph. Recommended: ★★★★ Read my review.

Biographical drama on Nati Binodini co-written by Abanti Chakraborty and Sibashis Bandyopadhyay, and directed by Abanti Chakraborty.

Adapted from Ariel Dorfman’s internationally successful Death and the Maiden and directed by Kishore Sengupta.

Written and directed by Chandan Sen, Ekanāyaker Sesh Rāt depicts an imaginary strife-torn African nation where a military dictator took over but now faces a popular revolution.

Director Saurav Palodhi’s adaptation of Clifford Odets’s 1935 socialist classic, Waiting for Lefty, about the poverty of taxi drivers in the USA.

Premiere of Ujjwal Chattopadhyay's play inspired by a foreign film about the personal conflict between a retired judge and his son who defends criminals. Directed by Meghnad Bhattacharya.