Translated by Arun Mukherjee from Ajit Dalvi’s play on Gandhiji’s relationship with his son, and directed by Sujan Mukherjee. Recommended: ★★★★ Read my review.
The record-breaking comedy that has had an uninterrupted run since 1972, with over 1200 performances. Written and directed by the late Saroj Ray for his own group Natasena.
A satirical play in Hindi by Sharad Joshi adapting the well-known parable of the blind men and an elephant into a depiction of contemporary politics, societal apathy and inaction. Directed by Vinay Sharma.
Final performance of Chetana’s classic production Jagannath, adapted from Lu Xun’s The True Story of Ah Q and directed by Arun Mukhopadhyay.
Ujjwal Chattopadhyay’s play about the triangle between Tappa pioneer Nidhu-babu, his royal patron-friend Mahananda Ray, and the latter’s mistress Srimati who became Nidhu-babu’s devoted disciple. Directed by Soumitra Mitra.
Kolkata Centre for Creativity Arts Lab’s Ravan Reloaded, written and directed by Debasish. The son of a Ramlila performer in Ayodhya moves to Mumbai to join the film industry but things don't go as he wanted. Highly recommended: ★★★★★. Read my review.
Ibsen's trailblazing Doll's House adapted by Ratan Kumar Das and directed by Biplab Bandyopadhyay. Recommended: ★★★★ Read my review.
Story by Sunil Gangopadhyay about a fictional 19th-century British officer in Bengal, dramatized by Sounava Basu and directed by Ashoke Chattopadhyay.
Sudrak’s new, so-called “uneducated” satire directed by Debasis Majumdar.
A metaphorical Bengali play written and directed by Ayan Banerjee about the all-encompassing system that runs our lives, which simultaneously makes and breaks, preserves and destroys us.
