Dario Fo’s political satire Can’t Pay, Won’t Pay (1974) adapted into Bengali by Bismay Ray and directed by Bimal Chakrabarti.

Dramatist-director Sumitro Bandyopadhyay’s fictionalized depiction of Bengali professional theatre’s nationalistic role at the time of the Partition.

Dramatized by Sumantra Chattopadhyay from Abby Mann’s Judgment at Nuremberg about the Nazi trials and directed by Biplab Bandyopadhyay.

Translated from Pirandello’s metatheatrical classic Six Characters in Search of an Author by Rudraprasad Sengupta and directed by Debesh Chattopadhyay. Recommended: ★★★★ Read my review here.

Revival of Utpal Dutt’s Barricade, about the Nazis’ strategies of establishing fascism democratically, directed by Debesh Chattopadhyay. Recommended: ★★★★ Read my review.

Adapted from Evgeny Schwartz’s satirical Russian play The Dragon (1944) by Arpita Ghosh and directed by Debesh Chattopadhyay. A village terrorized by a dragon finds an unlikely saviour.

Ajitesh Bandopadhyay’s adaptation of Pirandello’s metatheatrical classic, Henry IV, directed by Debesh Chattopadhyay. Recommended: ★★★★  Read my review.

Translated from Satish Alekar's Marathi play Ek Divas Mathakade and directed by Debesh Chattopadhyay. A young man embarks on a trip to a temple and meets an old man returning from there.

Mahmood Farooqui, who has revived the medieval storytelling tradition of Dastangoi and performed in Kolkata twice before, explores Karna’s life from the Mahabharata, in a masterful blend of Sanskrit, Urdu, Hindi, Farsi and Arabic.

Translated by Sankha Ghosh from Girish Karnad’s classic folk-based play Hayavadana, and directed by Debesh Chattopadhyay.