Sansriti’s Hayabadan, at Girish
Translated by Sankha Ghosh from Girish Karnad’s classic folk-based play Hayavadana, and directed by Debesh Chattopadhyay.
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Sansriti’s Sher Afgan, at Minerva
Ajitesh Bandopadhyay’s adaptation of Pirandello’s metatheatrical classic, Henry IV, directed by Debesh Chattopadhyay. Recommended: ★★★★ Read my review.
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Purba Paschim’s Pagal-para, at Academy
Purba Paschim’s Pagal-para,written by Ujjwal Chattopadhyay, directed by Soumitra Mitra.
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Ushneek’s Apurbba Sati, at Minerva
Ushneek’s Apurbba Sati, Sukumari Datta’s historic play directed by Ishita Mukhopadhyay.
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Jadavpur Ramyani’s Haraner Natjamai, at Girish
Dramatized from Manik Bandyopadhyay and directed by Arun Mukherjee. The story revisits the historic Tebhaga Movement of 1946-47 in Bengal, where Haran, an old sharecropper, has gone half-mad after police
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Nirbak’s Wheelchair, at Madhusudan
Nirbak Abhinay Academy’s Wheelchair, written and directed by Suranjana Dasgupta.
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Dum Dum Shabdomugdho’s Nabab, at Academy
Dum Dum Shabdomugdho’s Nabab, written and directed by Rakesh Ghosh.
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Onnwesak’s Mari the Great, at Minerva
Onnwesak’s Māri the Great, written by Anirban Sen and directed by Suvojit Bandopadhyay.
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Samparka’s Juddha Sheshe …
Samparka’s Juddha Sheshe …, written and directed by Jitaditya Chakrabarti. On the terrace of Traders’ Assembly, Gariahat.
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Calcutta Performers’ Kamala, at Academy
Vijay Tendulkar’s Kamala, about a journalist’s double standards on women, translated into Bengali and directed by Tamal Raychaudhuri.
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Mangalik’s Manush Bhut, at Academy
Mangalik’s longest-running production, dramatized from Syed Mustafa Siraj and directed by Samir Biswas. A comedy about a “dead” man coming alive. Recommended viewing: ★★★★
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Sayak’s Bhabishyater Smriti, at Madhusudan
Sayak’s Bhabishyater Smriti, directed by Meghnad Bhattacharya, written by Debashis.
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