PLAYS BY MANGALIK, AT ACADEMY
Two productions. Elam Phire, matinee. Followed by Mangalik’s longest-running production, Manush Bhut, directed by Samir Biswas, at 6:30. The latter recommended viewing: ★★★★
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Two productions. Elam Phire, matinee. Followed by Mangalik’s longest-running production, Manush Bhut, directed by Samir Biswas, at 6:30. The latter recommended viewing: ★★★★
PLAYS BY MANGALIK, AT ACADEMY Read More »
As the auditoriums gradually reopened this year, Bengali groups began to revive their productions that had remained suspended since March 2020. Garia Krishti’s Kālpurush presents the eponymous third novel of
Naye Natua’s Maramiya Mon, dramatized from Dostoevsky’s Gentle Spirit by Rudraprasad Sengupta, directed and acted by Goutam Halder. Recommended: ★★★★
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Natadha’s Mahabharat 2, written by Shib Mukhopadhyay, directed by Arna Mukhopadhyay. Recommended: ★★★★. Read review here.
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Shohan’s Jharer Churoy, adapted from Florian Zeller’s newest French play, The Height of the Storm. Directed by Anish Ghosh. Recommended viewing: ★★★★ Read review here.
Shohan’s Jharer Churoy, at Academy Read More »
Lok-krishti’s Punaray Ruby Ray, written by Jeet Satragni, directed by Phalguni Chatterjee.
Lok-krishti’s Punaray Ruby Ray, at Academy Read More »
Samstab’s Anahuta, directed by Sima Mukhopadhyay, written by Snehashish Bhattacharya.
Samstab’s Anahuta, at Academy Read More »
Nandipat’s Krishnapurer Rupkatha, directed by Bimal Chakrabarti, written by Jyotishman Chattopadhyay
Nandipat’s Krishnapurer Rupkatha, at Academy Read More »
Sayak’s Bhalo Lok, adapted from Pirandello by Chandan Sen, directed by Meghnad Bhattacharya.
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Sayak’s Atmajan, written by Ujjwal Chattopadhyay, directed by Meghnad Bhattacharya. About a man who dutifully takes care of his ailing father but in doing so risks alienating his wife.
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Bibhab Natya Academy’s Thakur Thakbe Katakshan, followed by Baranagar Ebang’s Bidehi Bidrohi.
Nandikar’s 32nd National Festival saw a marked increase in local participation by Bengali groups: 13 of the 22 shows on display. Budgetary constraints forced the reduction of visiting troupes, which
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