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DOUBLE DEAL RELOADED | SADICHCHHAR RANGBADAL | AMAR MUKHER ANCHALKHANI

Leave a Comment / 2018 / Ananda Lal

Good that regional-language theatres have discovered the stageability of original drama by Indians in English, once regarded as infra-dig. Among them, of course, the academically-certified poster boy is Mahesh Dattani, […]

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THE HUNCHBACK OF NOTRE DAME

Leave a Comment / 2018 / Ananda Lal

Whoever says that English theatre in Kolkata has dropped into the doldrums has either not seen the glorious musicals helmed by the Lai Roy family or believes (erroneously) that school

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RATAN SIR

Leave a Comment / 2018 / Ananda Lal

Seventy years ago, a small band of dedicated young theatre enthusiasts left the Indian People’s Theatre Association and formed a new group, Bohurupee. Little did they imagine that they would

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INTERNAL AFFAIRS

Leave a Comment / 2018 / Ananda Lal

The paucity of local organizations sponsoring shows from outside Kolkata makes us greet any such new initiative enthusiastically. Knack Productions may feel disheartened by the low turnout for Akvarious Productions’

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BALANCE SHEET | ICHCHHEPURAN

Leave a Comment / 2018 / Ananda Lal

This is a tribute to theatre teachers on Teachers Day, looking at the new plays by two groups training young learners in the live form that best inculcates teamwork and

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STORIES BY HAND

Leave a Comment / 2018 / Ananda Lal

“Dance theatre” is a term much abused, to label any relatively large-scale dance spectacle. In fact, it is pretty obvious that all dance performances, even short and solo, are by

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TOMAR KONO SATYA NEI | SILENCE! THE COURT IS IN SESSION

Leave a Comment / 2018 / Ananda Lal

Courtroom drama can succeed only on the bedrock of perfect plausibility – unless, of course, the director consciously applies a stylized approach right through, say, for satirical objectives. Two perennial

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SHAKUNTALA

Leave a Comment / 2018 / Ananda Lal

We can quote from Shakespeare, but have no clue about Shakuntalā, the pinnacle of Sanskrit literature. That is the shame that the white man’s burden has left us with, even

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GA RE MA | WRONG NUMBER

Leave a Comment / 2018 / Ananda Lal

The pair of plays that flew in from Mumbai recently weren’t good advertisements for Mumbai’s theatre. Ikigai & Co’s punningly-titled Gā Re Mā (presented by Showhouse) at least had the

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THE PLAY THAT GOES WRONG

Leave a Comment / 2018, Archives / Ananda Lal

Round Table India and Ladies Circle India conceived a surefire way to support charity by hosting a star vehicle – Sharman Joshi as a police inspector, unlikely as that may

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Rangroop’s Takhan Bikel, at Tapan

Leave a Comment / Ananda Lal

Mohit Chattopadhyaya’s Bengali adaptation of Russian dramatist Aleksei Arbuzov’s Old World, directed by Sima Mukhopadhyay. Recommended: ★★★★ Read my review.

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GARIB NAWAZ | KISSA ANDHER NAGARI KA | NITHALLE KI DIARY | ARAM BAG | DUSRA ADHYAY

Leave a Comment / 2018 / Ananda Lal

Now in its eighth year, Little Thespian’s national festival named Jashn-e-Rang provides Kolkata theatre lovers their only opportunity to see a range of Hindi/Urdu drama from across the country. This

GARIB NAWAZ | KISSA ANDHER NAGARI KA | NITHALLE KI DIARY | ARAM BAG | DUSRA ADHYAY Read More »

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