PUNARUTTHAN
Keeping pace with progressive Bengali fiction is a positive sign for group theatre, which needs to consciously disprove the popular perception that it lives retrospectively. Sayak have consistently cultivated contemporary […]
Keeping pace with progressive Bengali fiction is a positive sign for group theatre, which needs to consciously disprove the popular perception that it lives retrospectively. Sayak have consistently cultivated contemporary […]
Mohit Chattopadhyaya, the quiet, self-effacing teacher, would have smiled enigmatically. Six years after his death, Bengali theatre has launched a rediscovery of his dramatic works with three new productions of
RAJRAKTA | CAPTAIN HURRAH | SINGHASANER KSHAYROG Read More »
The more I see the work of Piyal Bhattacharya with his young disciples, the more I am astonished by the ease with which he unites scholarship of the Nātyashāstra and
Ganakrishti is in the vanguard of a rethinking among Bengali groups, a few of whom have taken the first steps to diversify out of their familiar proscenium surroundings into the
CHIRIYAKHANAR GALPA | KIRITIR NOTEBOOK Read More »
Loknath Bandyopadhyay’s fascination with the functioning of the human mind has led him to adapt intriguing recent American stage and screen works for Bengali theatre. For the sake of information
PULAKITA BISHAD | KALPANIK BASTAB Read More »
Quite by coincidence, two novels by Howard Fast have made it to the Bengali stage simultaneously, enabling us to rediscover this American author who fell prey to McCarthy’s witchhunting in
Independence Week provides an appropriate occasion to discuss the rather uncommon phenomenon of two Bengali plays on the Father of the Nation running concurrently – with a third to come
BAPU | BAPU MAHATMA MOHANDAS Read More »
Rangapat has risen to a position of visibility among Bengali groups based upon its recent track record of mounting spectacular interpretations of original historical drama, though it also stages more
That inexhaustible storehouse of stories, the Mahābhārata, provides more raw material for the mill of two current Bengali productions. Both of these also employ the traditional technique of Kathakata—the first
VIDUR DHARMAYATRA | AHATA AMBA Read More »
Aneek’s 21st Ganga Jamuna Natya Utsab showcased Bangladeshi theatre unprecedentedly, inviting six troupes from across the country. More than the numbers, the unconventional content merits praise, as many as four
BRATYA AMI MANTRAHIN | KAHE BIRANGANA | NILAKHYAN | RARHANG | KATHA 71 Read More »
Rangakarmee is another of the handful of city groups to have developed its own little theatre instead of depending solely on the very few regular auditoriums and complaining about their
Non-resident Bengali theatre has come of age over the last few years, some progressive troupes having departed from the amateur staple of frivolous entertainment to examine grave themes and older
NAGARIK? | SIMANTINI Read More »