Ha-Ja-Ba-Ra-La’s Aniket Sandhya, at Madhusuan
Revival of the group’s old production, written and directed by Chandan Sen, about the plight of lonely senior citizens.
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Angan’s Nilambala Chhe Ana, at Madhusudan
fter the turbulent 1960s, young Nilambala and Uddalak cross into the thunderous calls of the 1970s. Before the stormy chaos settles, life becomes unstable again—then the change of 1977, a
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Aneek’s Angina Jure Bhor, at Tapan
young researcher visits an old, dilapidated hall in north Kolkata, whose octogenarian owner, initially hostile, gradually starts narrating his story and the miraculous journey of a young Gomira dancer from
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Sayak’s Dharmabatar, at Girish
Ujjwal Chattopadhyay’s play inspired by the American film The Judge (2014) about the personal conflict between a retired judge and his son who defends criminals. Directed by Meghnad Bhattacharya.
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Aaloron (Yorkshire)’s Prasanga: Prem, at ICCR
Based on four of Tagore’s timeless love stories that explore different phases of love and the complex tapestry of human relationships. The production in Bengali aims to bring these classic
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Chidakash Kalalaya’s Samvatsar Katha, at KCC
The culminating performance of a ten-day immersive residency at KCC, directed by Sangeet Natak Akademi awardee Piyal Bhattacharya. Rooted in Bharata’s Natyashastra, it presents the cycle of India’s six seasons,
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Mangolik’s Ram Udhao, at Girish
A play in Bengali carrying a strong political statement with a disturbing pun in the title. Written and directed by Samir Biswas.
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Out of Nowhere’s Guards at the Taj, at Padatik
Hindustani adaptation by a new local group of Rajiv Joseph’s dark comedy that won the Obie award for best new American play in 2016. Two guards at the newly built
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Renaissance’s Charandas MLA, at Sisir Mancha
Revival of Renaissance’s Hindi production from the 1990s. Dramatized from Satinath Bhaduri’s satirical story by Partha Sarathi Upadhyay and directed by Bimal Chakraborty.
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Nirbak’s Saodagarer Nauka, at Girish
Revival of Ajitesh Bandopadhyay’s drama about the crisis of identity and relevance of a Jatra artiste. Directed by Ashok Mukhopadhyay.
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Angan’s Nilambala Chhe Ana, at Rabindra Sadan
After the turbulent 1960s, young Nilambala and Uddalak cross into the thunderous calls of the 1970s. Before the stormy chaos settles, life becomes unstable again—then the change of 1977, a
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Baghajatin Alaap’s Padma Nadir Majhi, at Madhusudan
Manik Bandyopadhyay’s classic novel dramatized and directed by Parthapratim Deb.
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