Natyabhumi (Agartala)’s Rangin Rumal, at Madhusudan
A play in Bengali directed by Sanjoy Kar. Part of Minerva’s National Theatre Festival 2026.
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Paikpara Akhor’s Jharer Kheya, at Academy
Translated from Lillian Hellman’s awardwinning Watch on the Rhine (1941) about an anti-fascist German fleeing to the US during World War II, and his encounter with a Nazi supporter. Directed
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Curl’s Seasons of Love, at Padatik
A memory play about love and loss that grapples with themes of family and homesickness as well as the intergenerational bonds that give individual family members the strength to stay
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Rakhadi Studio (Pune)’s Thakishi Samvad, at Girish
Marathi play directed by Anupam Barve. Part of Minerva’s National Theatre Festival 2026.
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Social Manch & Peace Projects (Pune)’s Something Like Truth, at Madhusudan
Four monologues written by Shanta Gokhale, directed by Parna Pethe in Hindi/English. Part of Minerva’s National Theatre Festival 2026.
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Little Thespian’s Chak, at Girish
The last play written by Little Thespian’s S. M. Azhar Alam, directed by Uma Jhunjhunwala. About the various challenges faced by Indian Muslims after the conflict in East Pakistan in
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Santipur Sanskritik’s Karagar, at Madhusudan
Manmatha Ray’s 1930 mythological-political allegory directed by Kaushik Chatterjee. Part of Minerva’s National Theatre Festival 2026.
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Nandikar’s Panchajanya, at Academy
A play written by Parthapratim Deb dramatizing the story of Krishna, directed by Sohini Sengupta. Final production in Baghajatin Alaap’s 2nd international Bengali theatre festival.
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Baghajatin Alaap’s Padma Nadir Majhi, at Academy
Manik Bandyopadhyay’s classic novel dramatized and directed by Parthapratim Deb. Seventh production in Baghajatin Alaap’s 2nd international Bengali theatre festival.
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THOUGHTS OF A THEATRE CRITIC
My interview published in Little Thespian’s journal, Rang Rasa, vol. 3 issue 4 (October 2025-March 2026): How would you define theatre criticism in today’s context? What distresses me the most
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Epic Actors’ Workshop (New Jersey)’s No Man’s Land, at Academy
Based on a short story by Mojaffar Hossain, in which a destitute and injured woman lies helplessly in the no man’s land between the borders of India and Bangladesh and
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Bengali one-act plays from Australia and New Zealand, at Academy
Chakravyuha by Ankurshristi Incorporated (Melbourne, Australia) and Sakshi by Not Really (Auckland, New Zealand). Fourth and fifth productions in Baghajatin Alaap’s 2nd international Bengali theatre festival.
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