Anya Theatre’s Caretaker, at Gyan Manch
Harold Pinter’s early drama translated into Bengali and directed by Arindam Mukherjee.
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Alaap’s Agun, at Academy
An original romantic play commemorating the liberation of Bangladesh in 1971, written by Rakesh Ghosh and directed by Parthapratim Deb. Recommended: ★★★★ Read my review.
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Shishikshu’s Jara Brishtite Bhijechhilo, at Madhusudan
Revival of the production featuring poetic text by Joy Goswami, direction by Gautam Halder and solo enactment by Bijoylakshmi Barman.
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Sudrak’s Shikh ^kha Jatir Merudanda, at Academy
Sudrak’s new, so-called “uneducated” satire on education written and directed by Debasis Majumdar. Read my review.
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Dwitiya Satta’s Na Tor Janya, at Tapan
Written and directed by Suman Sengupta, a portrayal of the dilemma of an accomplished commercial artist who sells out to the ruthless and competitive contemporary ratrace.
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Chetana’s Marich Sambad, at Academy
Revival of Chetana’s classic production, written and directed by Arun Mukhopadhyay.
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Rangakarmee’s Chanda Bedni, at Madhusudan
At the prestigious META 2025, this production directed by Anirudh Sarkar received the awards for Best Ensemble, Best Lighting (Badal Das), Best Female Actor (Ranjini Ghosh) and Best Choreography (Subhojiet
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Mukhomukhi’s Tiner Taloyar, at Sarat Sadan
Utpal Dutt’s classic play, directed by Suman Mukhopadhyay. Recommended: ★★★★
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Nandikar’s Panchajanya, at Academy
A play written by Parthapratim Deb dramatizing the story of Krishna, directed by Sohini Sengupta.
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Mukhomukhi’s Tiner Taloyar, at Academy
Utpal Dutt’s classic play, directed by Suman Mukhopadhyay. Recommended: ★★★★
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Theatrecian’s Verdict, at Gyan Manch
Based on Agatha Christie’s drama about a murder and directed by Aaron Targain, in English.
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Mukhomukhi and Tritiyo Sutra’s Mephisto, at Academy
Revival of their 2002 production. Based on Ariane Mnouchkine’s dramatization of Klaus Mann’s novel on the Nazi co-option of artists, translated and directed by Suman Mukhopadhyay. Recommended: ★★★★
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