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Anya Theatre’s Aparajita, at Jogesh Mime

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Nitish Sen’s classic solo play directed by Turna Das.

Anya Theatre’s Aparajita, at Jogesh Mime Read More »

Sansriti’s Kothakar Charitra Kothay Rekhechha, at Academy

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Translated from Pirandello’s metatheatrical classic Six Characters in Search of an Author by Rudraprasad Sengupta and directed by Debesh Chattopadhyay. Recommended: ★★★★ Read my review here.

Sansriti’s Kothakar Charitra Kothay Rekhechha, at Academy Read More »

Dastaan Theatre Studio (Gwalior)’s Anveshak, at Gyan Manch

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Partap Sehgal’s play centres on Aryabhata, the astronomer whose groundbreaking discoveries and defiance of Brahminical dominance in favour of truth challenged prevailing superstitions and religious dogmas of his time. Directed

Dastaan Theatre Studio (Gwalior)’s Anveshak, at Gyan Manch Read More »

Sehar (Santiniketan)’s Koi Aur Rasta, at Gyan Manch

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Partap Sehgal’s solo play, directed by Mrityunjay Prabhakar in Bengali, about a woman who has gone through a roller coaster ride in life due to her love affair and marriage.

Sehar (Santiniketan)’s Koi Aur Rasta, at Gyan Manch Read More »

Little Thespian’s Andhere Men, at Gyan Manch

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Uma Jhunjhunwala directs Partap Sehgal’s new play about the concept of darkness, which can masquerade as righteous fervor behind the veil of religion or sect, or manifest as hypocrisy or

Little Thespian’s Andhere Men, at Gyan Manch Read More »

Sharabhuj’s Macbeth, at Madhusudan

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Tarun Pradhan’s Bangla folk adaptation and direction of Shakespeare’s classic.

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Sansriti’s Sher Afgan, at Academy

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Ajitesh Bandopadhyay’s adaptation of Pirandello’s metatheatrical classic, Henry IV, directed by Debesh Chattopadhyay. Recommended: ★★★★  Read my review.

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Anya Theatre’s Romeo Ebang Juliet, at Academy

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Based on Debes Roy’s Bengali rendering of Shakespeare’s classic and Jan Otcenasek’s Romeo and Juliet in Darkness. Directed by Abanti Chakraborty. Recommended: ★★★★. Read my review.

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Natasena’s Gorur Garir Headlight, at Madhusudan

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The record-breaking comedy that has had an uninterrupted run since 1972, with over 1200 performances. Written and directed by the late Saroj Ray for his own group Natasena.

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Ekush Shatak’s Krishnaranga, at Madhusudan

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Revival of dramatist-director Loknath Bandyopadhyay’s farce, adapted from Peter Shaffer’s hit Black Comedy (1965). One of the funniest productions you can presently view; we cannot reveal more! Recommended: ★★★★

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Mukhomukhi and Tritiyo Sutra’s Mephisto, at Academy

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Revival of their 2002 production. Based on Ariane Mnouchkine’s dramatization of Klaus Mann’s novel on the Nazi co-option of artists, translated and directed by Suman Mukhopadhyay. Recommended: ★★★★ Two shows,

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Proscenium’s Begum Jani Ki Haveli, at Gyan Manch

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An Urdu/Hindi Indianization of Federico Garcia Lorca’s all-women The House of Bernarda Alba. Adapted and directed by Anjum Rizvi.

Proscenium’s Begum Jani Ki Haveli, at Gyan Manch Read More »

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