Pancham Vaidic’s Ghare Baire, at Madhusudan
Dramatized from Tagore’s domestic-political novel and directed by Arpita Ghosh.
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Nandipat’s Pet-i Case, at Academy
Dario Fo’s political satire Can’t Pay, Won’t Pay (1974) adapted into Bengali by Bismay Ray and directed by Bimal Chakrabarti.
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Curtain Call’s Nitanta Byaktigata, at Academy
Written by Sounava Bose based on Narayan Sanyal’s Ami Netaji-ke Dekhechhi about Netaji, and directed by Tirthankar Chattopadhyay.
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Naye Natua’s Meghnadbadh Kabya, at Academy
Dramatized from Michael Madhusudan Dutt and directed by Goutam Halder, his long-running hit.
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Little Thespian’s Parchhaiyan, at Gyan Manch
Based on Sahir Ludhianvi’s poems and directed by Uma Jhunjhunwala.
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Abhinav Rangmandal (Ujjain)’s Sambhrant Vaishya, at Gyan Manch
Jean-Paul Sartre’s Respectful Prostitute directed by Sharad Sharma for Little Thespian’s National Theatre Festival.
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Rangroop’s Spare Parts, at Academy
Written by Swapnamoy Chakraborty and directed by Sima Mukhopadhyay. An ordinary man’s rise to money, fame and power lead him astray from his earlier humanity.
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Setu Sanskritik Kendra (Varanasi)’s Moh, at Gyan Manch
Dramatized from Mannu Bhandari’s Majburi by Pratima Sinha and directed by Saleem Raja, for Little Thespian’s National Theatre Festival.
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Purbaranga’s Sitayan, at Academy
Written and directed by Malay Ray, inspired by Mallika Sengupta’s novel on Sita’s story rather than Rama’s. Recommended: ★★★★. Read my review.
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Sansriti’s Sher Afgan, at Academy
Ajitesh Bandopadhyay’s adaptation of Pirandello’s metatheatrical classic, Henry IV, directed by Debesh Chattopadhyay. Recommended: ★★★★ Read my review.
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Unicorn Actors’ Studio (Delhi)’s Rup Arup, at Gyan Manch
Devised and directed by the late Tripurari Sharma, the play presents the evolution in the performatory circumstances of Nautanki, from its traditional female impersonation to the entry of women mainly
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Chetana’s Mahatma Banam Gandhi, at Academy
Translated by Arun Mukherjee from Ajit Dalvi’s play on Gandhiji’s relationship with his son, and directed by Sujan Mukherjee. Recommended: ★★★★
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