Arpita Chatterjee’s solo musical on Gauhar Jan, directed by Abanti Chakraborty. Read my review.

Ujjwal Chattopadhyay’s play inspired by the American film The Judge (2014) about the personal conflict between a retired judge and his son who defends criminals. Directed by Meghnad Bhattacharya.

A retelling of the life of Srinivasa Iyengar Ramanujan from the humble town of Kumbakonam to the hallowed halls of Cambridge. The dramatis personae include devout and determined mother, Kamallatammal, […]

Rage's old production with Rajit Kapur and Shernaz Patel, an Indianization of Neil Simon's Prisoner of Second Avenue (unacknowledged in the credits). Presented by Anamika Kala Sangam. Read my review.

An ebullient Bengali pastiche of Hamlet. 4th Bell debuted in 2011 with this play, deliberately and delectably perverting Shakespeare’s tragedy into a festive comedy written and directed by Aniruddha Dasgupta. […]

Marking Ritwik Ghatak's birth centenary, this biodrama by Jeet Satragni, unlike the usual portrayal of Ghatak as an unwavering and fearless rebel, delicately explores his early years as a romantic […]

Ujjwal Chattopadhyay’s play about Chandrabati, the 16th-century poet who composed the first Bangla Ramayan from the perspective of Sita, as well as parts of the Maimansingha Gitika. Directed by Prokash […]

Dramatized from Shirshendu Mukhopadhyay’s Ek Āshcharja Pheriwālā by Kuntal Mukhopadhyay and directed by Debasish. A mysterious hawker sells seemingly useless things, which evil people conspire to capture, while an eccentric […]

Adapted from Somerset Maugham's play on euthanasia, The Sacred Flame, by Bhaskar Lahiri and directed by Kishore Sengupta.

Revived production based on Jean-Paul Sartre’s Crime Passionnel about a Communist plot of political assassination, adapted into Bengali and directed by Arpita Ghosh.