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Nandikar’s Manush

Leave a Comment / Ananda Lal

Directed by Sohini Sengupta, dramatized from Praphulla Ray’s story by Saptarshi and Anindita. Academy of Fine Arts.

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Nandikar’s Madhabi, at Academy

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Nandikar’s Madhabi, written by Bhisham Sahni, translated and directed by Swatilekha Sengupta.

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Nandikar’s Nachni, ★★★★

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Written and directed by Parthapratim Deb. Academy of Fine Arts. Recommended, 4 stars. Read my review here.

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Nandikar’s Panchajanya, at Madhusudan

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Nandikar’s Panchajanya, directed by Sohini Sengupta, written by Parthapratim Deb. The play dramatizes the story of Krishna.

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NACHNI | SAGINA MAHATO

Leave a Comment / 2014, Archives / Ananda Lal

The rise into the big league of a nascent director always makes good news in the world of Bengali theatre, which constantly needs fresh voices to sustain its claims to

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SOUMITRA CHATTERJEE (1935-2020)

Leave a Comment / News / Ananda Lal

Everything about Soumitra Chatterjee’s cinematic career has received closeup focus in the myriad articles published since his final exit, but hardly anyone has spotlighted his theatre activities. He remembered fondly

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Purbaranga’s Sitayan, at Academy

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Purbaranga’s Sitayan, written and directed by Malay Ray, inspired by Mallika Sengupta’s novel. Recommended: ★★★★. Read my review.

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Naye Natuya’s Naksikanthar Math

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Premiere of Naye Natuya’s Naksikānthār Māth directed by Goutam Halder.

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Pancham Vaidic’s Bhittan

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Premiere of Pancham Vaidic’s Bhittan, adapted into Bengali from Brecht’s Resistible Rise of Arturo Ui and directed by Arpita Ghosh. Two shows, matinee at 2 p.m. and evening at 5:30.

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Bibhaban’s 19th Intimate Theatre Festival

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Bibhaban Theatre Academy’s 19th Intimate Theatre Festival. November 23 to 26, every evening at 6 p.m.

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Belgharia Avimukh’s Kojagari ★★★★★

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Belgharia Abhimukh’s Kojagari, directed by Kaushik Chattopadhyay and dramatized by him from Howard Fast’s novel Silas Timberman. Highly recommended, 5 stars. See my review here.

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KOJAGARI | VAIJAYANTIKA

Leave a Comment / 2018, Archives / Ananda Lal

Once again, a new and unknown troupe has surprised me with an alarming, powerful production that restores faith in Bengali theatre’s future and makes a critic’s life worth living. Shoulder

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