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DICKENS’ WOMEN

Leave a Comment / 1993 / Ananda Lal

Sensitized by our consciously feminist times, artistes in any form must take care to avoid sexism in their depiction of women. Yet old habits creep in almost inadvertently, even against […]

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SADHABAR EKADASHI | CHIRAKUMAR SABHA | EKJAN PRATARAK

Leave a Comment / 1993 / Ananda Lal

As part of Banga Mela 1400, organized by the Information and Culture Department of the Government of West Bengal, Theatre Commune presented Sadhabār Ekādashi at Rabindra Sadan on April 17.

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MAYAJAL | MR AND MRS NOBODY

Leave a Comment / 1993 / Ananda Lal

The maiden enterprise of Spandan’s Theatre Wing, Māyājāl (Birla Sabhagar, May 1), augurs well for its future. It seems that Spandan is committed to serious work in its own productions,

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CHANDALINI | DRISHTIKANYA

Leave a Comment / 1993 / Ananda Lal

The latest productions by two talented, comparatively younger Bengali groups—Sudrak’s Chandālini and Chenamukh’s Drishtikanyā—prove conclusively how dependent on other people’s ideas our theatre has become. The experience is all the

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NONAJAL | NILAMBAJAR

Leave a Comment / 1993 / Ananda Lal

It’s one thing to praise a weak but idealistic play by a lesser dramatist so as to encourage him, but the same play written by a frontline author is bound

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ARE THERE TIGERS IN THE CONGO?

Leave a Comment / 1993 / Ananda Lal

In terms of social service, RAGE Theatre Group (Bombay) has done its bit by staging Are There Tigers in the Congo? (a Spandan presentation, Birla Sabhagar, June 18). By today’s

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SUKHER KHONJE

Leave a Comment / 1993 / Ananda Lal

Credit must be given to Chalchitra for discovering the works of Viktor Rozov, an important Russian dramatist whose constant projection of the disgruntled younger generation and criticism of misplaced social

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CARRY ON PAPA | KHAJUR MEN ATKA

Leave a Comment / 1993 / Ananda Lal

Surely Pooja Bedi’s fortunes have not fallen so low as to force her to accept the kind of exploitative part that she performs in Carry on Papa (a Spandan presentation,

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MUSHTIJOG | ANIKET SANDHYA

Leave a Comment / 1993 / Ananda Lal

Mohit Chattopadhyaya’s forte is comic drama with a serious purport, and he has found the right director with the light touch in Dwijen Bandyopadhyay of Samstab. Probably encouraged by its

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15TH SCHOOL DRAMA COMPETITION

Leave a Comment / 1993 / Ananda Lal

The quality of entries in British Council’s 15th School Drama Competition of original one-act plays (Gyan Manch, July 31-August 1) shot up this year, making it difficult to separate the

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AKBAR BIRBAL | KHELNA | DANO | DINOSAUR

Leave a Comment / 1993 / Ananda Lal

Most liberal secular intellectuals have felt the urgent need to stand up and be counted at one time or another in the course of the past twelve months. We may

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DANCING DOLPHINS

Leave a Comment / 1993 / Ananda Lal

The Action Players last presented a regular show in Calcutta in 1989 (Satyajit Ray’s Patol Babu, Film Star), so expectations ran high for Dancing Dolphins, premiered on September 4 at

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