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THE BIRTHDAY PARTY | ERROR 404

Leave a Comment / 2017, Archives / Ananda Lal

English theatre in the city lost one of its dedicated practitioners when Rohit Pombra passed away suddenly and prematurely. He had helmed his group, Stagecraft, for 30 years, guiding them

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BATIL CHITHI | DIRGHAYAMA

Leave a Comment / 2017, Archives / Ananda Lal

Intimate theatre at its most intense involves the use of small spaces as well as scripts for no more than two actors. The minimalism demanded by this kind of drama

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MACHHI | ELECTRA

Leave a Comment / 2017, Archives / Ananda Lal

When Sartre reinterpreted the Orestes myth for his first major play, The Flies, in 1943, while working with the French Resistance against the German occupation, everyone took it as a

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GENTLEMEN’S CLUB AKA TAPE | ARDHEK AKASH

Leave a Comment / 2017, Archives / Ananda Lal

Cross-dressing has found its safest shelter in theatre, across time and space, often forcing audiences to interrogate gender stereotypes. So when two recent productions flaunted it, we applauded their gusto,

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SALAAM, NONI APPA | UNDER THE GYPSY MOON | DRAMA QUEEN

Leave a Comment / 2017, Archives / Ananda Lal

Three big-ticket productions on national tours all converted their prose sources into lightweight theatre. Prime Time’s Salaam, Noni Appa, dramatized by Adhir Bhatt from Twinkle Khanna’s story, included two entirely

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RUHEIN | THE CHAIRS | ARTH | DO AURATEN

Leave a Comment / 2017, Archives / Ananda Lal

Little Thespian’s national festival, Jashn-e-Rang, turned international in its seventh edition, incorporating the welcome surprise of music and dance from the Indian diaspora in Mauritius. It also continued its practice

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PINK FLOYD’S “THE WALL”

Leave a Comment / 2017, Archives / Ananda Lal

Under the visionary principal John Mason, St James’ School pioneered full-scale musicals involving pupils in Kolkata almost 30 years ago, proving the huge pedagogical benefits of educational theatre. Other institutions

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DIARY OF A MADMAN | JERA

Leave a Comment / 2017, Archives / Ananda Lal

How does one perform madness? Distort the “normal”, cultivate an aberration, contort and grimace? Or make no change from a “stable” characterization, but let the words do the exposing? Adaptations

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MAYA MRIDANGA | SAODAGARER NAUKA

Leave a Comment / 2017, Archives / Ananda Lal

Bengali theatre has developed a profound nostalgia for its rural forefathers – at once desirable to acquaint the new generation with its history, and disagreeable for the uncritical romanticism with

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PEBET | ACROSS THE SEA | THE LION KING | TUMHARA VINCENT

Leave a Comment / 2017, Archives / Ananda Lal

Only three of nearly thirty productions in Nandikar’s National Theatre Festival came from outside Bengal, excluding Shekhar Sen’s Kabir (which has already toured here), and caused by regrettably depleted funding.

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SWATILEKHA SENGUPTA (1950-2021)

Leave a Comment / News / Ananda Lal

The departure of Swatilekha Sengupta comes as a major loss to Bengali theatre. This is not the stale cliché found in garden-variety wreaths, which focused exclusively on her acting, primarily

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PAGLA GHODA

Leave a Comment / 1993 / Ananda Lal

After felicitating Arun Mukherjee, Satish Alekar and Ratan Thiyam this time, Nandikar’s Ninth National Theatre Festival commenced at the Academy of Fine Arts on December 5 with Pagla Ghoda in

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