Youth theatre in this city – though some of these troupes may justifiably claim they are no longer young and qualify for treatment on par with regular groups – encounters
16 PATA | TARAMANDAL | THE PINK SPIDER Read More »
Solo performances constitute the nucleus of several new Bengali productions, in which technical inputs, stage properties or voices off add extra dimensions to the acting. In Broken Images, Girish Karnad
BHANGA BHANGA CHHABI | POLLENS | ANUBHAV Read More »
A little bit of magic – some may call it pure fantasy, others simply luck – connects two new Bengali plays in both of which a commoner becomes a celebrity
CHHUMANTAR | CHARLIE Read More »
Bengali groups seem keen on reviving foreign works that made a name in the mid-20th century. Two of these date to virtually the same year, 1955-56: the American play Inherit
A-PABITRA | PLAYHOUSE KHELBEN? Read More »
The Kolkata International Film Festival offers occasion to muse on the fraught relationship between theatre and cinema, artists of the former perennially blaming the latter for cornering all the publicity.
ABHINETRI | BIPANNA BISHWAS Read More »
Keeping pace with progressive Bengali fiction is a positive sign for group theatre, which needs to consciously disprove the popular perception that it lives retrospectively. Sayak have consistently cultivated contemporary
Mohit Chattopadhyaya, the quiet, self-effacing teacher, would have smiled enigmatically. Six years after his death, Bengali theatre has launched a rediscovery of his dramatic works with three new productions of
RAJRAKTA | CAPTAIN HURRAH | SINGHASANER KSHAYROG Read More »
The more I see the work of Piyal Bhattacharya with his young disciples, the more I am astonished by the ease with which he unites scholarship of the Nātyashāstra and
Ganakrishti is in the vanguard of a rethinking among Bengali groups, a few of whom have taken the first steps to diversify out of their familiar proscenium surroundings into the
CHIRIYAKHANAR GALPA | KIRITIR NOTEBOOK Read More »
Loknath Bandyopadhyay’s fascination with the functioning of the human mind has led him to adapt intriguing recent American stage and screen works for Bengali theatre. For the sake of information
PULAKITA BISHAD | KALPANIK BASTAB Read More »
Quite by coincidence, two novels by Howard Fast have made it to the Bengali stage simultaneously, enabling us to rediscover this American author who fell prey to McCarthy’s witchhunting in
Independence Week provides an appropriate occasion to discuss the rather uncommon phenomenon of two Bengali plays on the Father of the Nation running concurrently – with a third to come
BAPU | BAPU MAHATMA MOHANDAS Read More »
