Mahmood Farooqui from Delhi made a welcome return to Kolkata after over a decade, at the invitation of Kolkata Centre for Creativity, to present his Dastangoi Collective’s Dastan-e-Karn az Mahabharata.

Among festival favourites over the past year, I have not yet reviewed Angik’s Binodini Opera and Mukhomukhi’s Ājker Shājāhān. Both respect their sources, but we need to look at them

In perhaps the first visit by a Finnish theatre troupe to Kolkata, the trio of Essi Rossi (director), Johannes Holopainen (actor) and Pauli Riikonen (designer) honoured our city with the

Author-director Sudipta Bhawmik has earned a respected position in Bengali theatre circles for his original plays, invariably thought-provoking and often innovatively constructed. On Janmāntar, which his New Jersey group ECTA

Thanks to Sayak’s golden jubilee festival, I got a ringside view of one of Bengali theatre’s present blockbusters, Swapna-sandhani’s Hamlet. Unlike most directors today, Koushik Sen approaches it with singular

When our traditional forms hardly get called to the city anymore, one rejoices at initiatives like the Utsav held by the Crafts Council of West Bengal, which showcased artisans and