Reviews

SOLVER | STRI

Kalyani continues to provide fertile ground for new Bengali productions. While Mukhosh’s resident dramatist-director offers another original play, Kalamandalam bases their latest dramatization on Manik Bandyopadhyay. Ayan Banerjee’s Solver features

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Reviews

TINER TALOYAR

Tiner Taloyār remains the best drama ever written about the Bengali commercial stage, therefore any revival must treat it with obeisance. Suman Mukhopadhyay does just that—except for an aberrant epilogue—and

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BEPARWAH MANTO | ANDHON KA HATHI

The Padatik ensemble touches top form collectively on the latest productions in their two ongoing series, the literary Writers on Stage and the informal Theatre in Jeans. Beparwāh Manto celebrates

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Reviews

ROMEO EBANG JULIET

Any group and director realize what a challenge staging a Shakespeare classic poses. Inevitable comparisons with previous productions and the plethora of critical interpretations complicate the matter, exemplified by the

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Reviews

OLD WORLD

Returning to what they do effortlessly on stage—playing off each other, just the two of them, like they did in Dear Liar—Naseeruddin and Ratna Pathak Shah enjoy a national run

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Reviews

GREAT BENGAL THEATRE | SAODAGARER NAUKA

Continuing active theatre well into his eighties, Ashok Mukhopadhyay does a star turn as the hero in Theatre Workshop’s Great Bengal Theatre and directs Nirbak Abhinay Academy’s Saodāgarer Naukā simultaneously,

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Reviews

AMAR GAN

Suman Sengupta’s work as dramatist-director attains a peak on Chetla Krishti Sansad’s Āmār Gān, hopefully one of many other peaks in future. It deservedly won Theatre Workshop’s annual Satyen Mitra

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SANDIPANI | PRATI-PRASHNA

Time once again to record the activities of Bengali groups outside Kolkata. The two reviewed in this column demonstrate technical standards indistinguishable from their metropolitan counterparts, proving that the so-called

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Reviews

AKSHARIK | DO PAUL KA JINA

Debasish Ray’s fascination with history has led him to compose biodrama on two pioneers, of Bengali printing and French painting respectively. For Aneek, he directed Āksharik, which he dramatized from

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Reviews

PULISH | PET-I CASE

Bengali theatre has resurrected its links with three major 20th-century European dramatists: Sławomir Mrożek of Poland and Nobel Prize-winner Dario Fo and his wife Franca Rame, of Italy. Both the

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