Reviews

NIRASTRA | UNSEWN

International presence this winter numbered three, but I missed the Toronto Bengali Drama Group’s play. Epic Actors’ Workshop (New Jersey) and an acting duo of graduates from the Royal Academy

Read More »

MY NAME IS JAAN | PADATIK MRINAL

2023 marked the birth sesquicentennial of one trailblazing artist, Gauhar Jaan, and the centenary of another, Mrinal Sen, who formed the subjects of two separate theatrical tributes in Bengali. The

Read More »

JATNE REKHO | APRIYA SATYA

A couple of heavyweights in Bengali theatre experimented this year with hour-length one-acts instead of their standard full-fledged repertoire. Both Nandikar and Chetana coincidentally attempted three-handers on relationships featuring two

Read More »

7:40 KI LADIES SPECIAL

There are two ways of assessing 7:40 ki Ladies Special by Aawara Theatre Group (Mumbai, presented in Kolkata by Sanskriti Sagar), in terms of social inclusivity, and in terms of

Read More »

KIRCHEN (SPLINTERS) | UNMASKED

Violence—global and local—forms an unsettling theme in the latest productions by two primarily Hindi-language groups, Padatik / rikh- and The Creative Arts Academy. Vinay Sharma loves to send me scurrying

Read More »

CHAK | BHIGI AURATEN

For a Hindi–Urdu theatre group in Kolkata to sustain continuous activity for three decades signifies dedication and resilience against all odds. I felicitate Little Thespian on reaching the milestone of

Read More »

SOLVER | STRI

Kalyani continues to provide fertile ground for new Bengali productions. While Mukhosh’s resident dramatist-director offers another original play, Kalamandalam bases their latest dramatization on Manik Bandyopadhyay. Ayan Banerjee’s Solver features

Read More »
Reviews

TINER TALOYAR

Tiner Taloyār remains the best drama ever written about the Bengali commercial stage, therefore any revival must treat it with obeisance. Suman Mukhopadhyay does just that—except for an aberrant epilogue—and

Read More »