It is heartening to find new productions in Urdu based on history, one by a young group and the other a troupe of long standing, both with one foot in

Let’s look at Minerva’s National Theatre Festival 2026 statistically. It brought ten of the seventeen invitees from outside Bengal—a creditable majority, hypothetically allowing audiences to watch a number of external

Baghajatin Alaap continued its initiative of the Kolkata International Bengali Theatre Festival for the second year with a three-day edition featuring four foreign groups from as far apart as the

The Urban Theatre Project TUTP), now just over a year old, has become a nucleus for solo or minimalistic performance in a studio setting, serving both local and touring productions.

Kolkata’s most up-and-coming English-language dramatist (admittedly within a minuscule pool), Ahon Gooptu, reiterated two of his earlier works in December-January. The first, Item, had inaugurated The Urban Theatre Project in

The strongest Bengali-language American dramatist, Sudipta Bhawmik, had two plays on the Kolkata stage this season, both biographical. Natya-Anan’s Meghnad (at Nandikar’s National Festival) presents the first literary expression of

Nandikar’s 42nd National Theatre Festival began with several ambitious Bengali adaptations and interpretations that I had not yet seen. Of them, the most notable is Naihati Natya Samanway Samity’s Pherāri

The three European productions hosted by The Urban Theatre Project in November should have targeted much more proactively a teenage audience or even younger (in the case of Handle with