Reviews

Reviews

RASA-BALA-BUDDHI

Our unique Sanskrit troupe, Chidakash Kalalay, now has its own space tastefully constructed in an indigenous manner by Anubha Fatehpuria and Richa Bose, in Boral just south of Kolkata, where

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Reviews

GHUM NEI | TITUMIR

A sudden and inexplicable, yet most welcome, surge of interest in Utpal Dutt’s plays ignited Bengali theatre before Covid struck. Lockdown paused these productions, which have now returned, frequently house-full,

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Reviews

JHARER CHUROY | RUP-KRANTI

Among the groups that rehearsed through the lockdown, Shohan not only staged one new play in early 2021 but premiered another towards the end of the year. The productions form

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Reviews

DOSH | TAJ MAHAL KA UDGHATAN

Padatik / rikh-, like several other groups, have revived their interrupted pre-pandemic productions as well as mounted a brand-new play. Vinay Sharma’s two-hander titled Dosh features Mumbai actors Harsh Khurana

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Reviews

TAR PRATIKSHAY | ENDGAME

The pandemic has given new meaning to existentialism, particularly the bleak, socially isolated world of Beckett where we simply await death, which hovers backstage, unseen but omnipresent. Understandably, Kolkata theatre

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Reviews

ATHA HIDIMBA KATHA

In my last review, I praised Natadha’s Mahābhārat2 for concentrating on just one Parva of the epic. This time I must heap accolades on another take (from the Adi Parva)

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Reviews

MAHABHARAT 2

When Natadha staged their Mahābhārat in 2002 with leading actors from other groups, I had commented that the compression could not possibly do justice to the sweep of the epic.

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