Reviews

12 ANGRY MEN | VERDICT

After an uncharacteristic hiatus, Kolkata’s most prolific English-language troupe, Theatrecian, came back with a double-decker bang (to catch the pun, skip to the last paragraph). Founder Tathagata Chowdhury having moved

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Reviews

GAURER KABACH | HULUSTHUL

Fans of Shirshendu Mukhopadhyay’s paranormal Adbhuture series can look forward to a gala time at the theatre as two Bengali groups have dramatized two of these novellas rather well, and

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URMILA | SAIVA KOOTHU

Pickle Factory’s Holding Space season included two theatrical productions from south India, both of which excelled in performance but fell short in the textual department. Adishakti (Puducherry) revisited Kolkata after

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Reviews

GHARER MADHYE BARI

Premiered by Pancham Vaidic under Arpita Ghosh’s direction in the tiny Tripti Mitra Natyagriha in 2022, Debasish’s surreal Gharer Madhye Bāri now appears in a revival by his own group,

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NIRASTRA | UNSEWN

International presence this winter numbered three, but I missed the Toronto Bengali Drama Group’s play. Epic Actors’ Workshop (New Jersey) and an acting duo of graduates from the Royal Academy

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MY NAME IS JAAN | PADATIK MRINAL

2023 marked the birth sesquicentennial of one trailblazing artist, Gauhar Jaan, and the centenary of another, Mrinal Sen, who formed the subjects of two separate theatrical tributes in Bengali. The

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JATNE REKHO | APRIYA SATYA

A couple of heavyweights in Bengali theatre experimented this year with hour-length one-acts instead of their standard full-fledged repertoire. Both Nandikar and Chetana coincidentally attempted three-handers on relationships featuring two

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