BEGUM JANI KI HAVELI | TOBA TEK SINGH
Among the handful of Urdu productions coming out of Kolkata, two currently running ones emanate from longstanding Hindi groups, both of which use familiar modern classics as their sources. For
Among the handful of Urdu productions coming out of Kolkata, two currently running ones emanate from longstanding Hindi groups, both of which use familiar modern classics as their sources. For
After an uncharacteristic hiatus, Kolkata’s most prolific English-language troupe, Theatrecian, came back with a double-decker bang (to catch the pun, skip to the last paragraph). Founder Tathagata Chowdhury having moved

Fans of Shirshendu Mukhopadhyay’s paranormal Adbhuture series can look forward to a gala time at the theatre as two Bengali groups have dramatized two of these novellas rather well, and
Pickle Factory’s Holding Space season included two theatrical productions from south India, both of which excelled in performance but fell short in the textual department. Adishakti (Puducherry) revisited Kolkata after
This year, Little Thespian devoted its 14th National Theatre Festival, Jashn-e-Azhar, to the oeuvre of senior Hindi author Partap Sehgal, hosting nine productions from northern India over six days. Due

After Othello and Hamlet, Bengali theatre now presents Shakespeare’s two other great tragedies, perhaps the first time that all four have appeared in Kolkata in quick succession. Sarabhuj’s Macbeth

Minerva Natya Sanskriti Charcha Kendra’s national theatre festival could transform the scenario of such festivals in Kolkata, if only the organizers put some intelligence into their efforts. As I’ve mentioned
Two Hindi productions from Mumbai visited over the last month. In Trāsadi, aRANYA’s first play after several years (see Chuhal), at Kolkata Centre for Creativity’s Ami Arts Festival, Manav Kaul

Premiered by Pancham Vaidic under Arpita Ghosh’s direction in the tiny Tripti Mitra Natyagriha in 2022, Debasish’s surreal Gharer Madhye Bāri now appears in a revival by his own group,
International presence this winter numbered three, but I missed the Toronto Bengali Drama Group’s play. Epic Actors’ Workshop (New Jersey) and an acting duo of graduates from the Royal Academy
2023 marked the birth sesquicentennial of one trailblazing artist, Gauhar Jaan, and the centenary of another, Mrinal Sen, who formed the subjects of two separate theatrical tributes in Bengali. The
A couple of heavyweights in Bengali theatre experimented this year with hour-length one-acts instead of their standard full-fledged repertoire. Both Nandikar and Chetana coincidentally attempted three-handers on relationships featuring two