Reviews

Reviews

PASHMINA | ADHE ADHURE

Rangakarmee has made their founder Usha Ganguli proud not merely by attaining the major milestone of a golden jubilee (which several groups reach as a matter of time, without sustaining

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RANGIN RUMAL | A STUPID COMMON MAN

Let’s look at Minerva’s National Theatre Festival 2026 statistically. It brought ten of the seventeen invitees from outside Bengal—a creditable majority, hypothetically allowing audiences to watch a number of external

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NO MAN’S LAND | PRAHASAN

Baghajatin Alaap continued its initiative of the Kolkata International Bengali Theatre Festival for the second year with a three-day edition featuring four foreign groups from as far apart as the

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ITEM | SEASONS OF LOVE

Kolkata’s most up-and-coming English-language dramatist (admittedly within a minuscule pool), Ahon Gooptu, reiterated two of his earlier works in December-January. The first, Item, had inaugurated The Urban Theatre Project in

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MEGHNAD | PAUL O VINCENT

The strongest Bengali-language American dramatist, Sudipta Bhawmik, had two plays on the Kolkata stage this season, both biographical. Natya-Anan’s Meghnad (at Nandikar’s National Festival) presents the first literary expression of

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Reviews

BHASA-BHARATAM | DRISHTIKANYA

Two productions from outside Kolkata came to festivals held in December. Nandikar’s National Theatre Festival hosted the National School of Drama Repertory Company (Sikkim)’s Bhāsa-bhāratam, an unprecedented concept. At director

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PHERARI PHAUJ | BHANU | FRANKENSTEIN

Nandikar’s 42nd National Theatre Festival began with several ambitious Bengali adaptations and interpretations that I had not yet seen. Of them, the most notable is Naihati Natya Samanway Samity’s Pherāri

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Reviews

MEANWHILE ELSEWHERE | KAUMUDI | THE NIGHTS

Much anticipated, Sanskriti Sagar’s resurrected Sabhagar Theatre Festival delighted Kolkata audiences starved of platforms featuring mainstage productions from outside. Three of them shared an unusual trait of surreal, nonlinear, loosely-linked

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